Classified H.R. 8791 Homeland Terrorism Preparedness Bill

Classified H.R. 8791 Homeland Terrorism Preparedness Bill
Submitted by letushope on Fri, 08/08/2008 - 12:04
in Daily Paul Liberty Forum
view the video here:
http://vidzking.com/Tags/This-US-Congressman-Refuses-To-Say-...




I saw it for the first time this morning and have been trying to validate it myself. The Rep (PA) John Haller does not show up on any Pennsylvania gov pages, so I think they got his name wrong and I've searched judicial watch and gov watch and 110th Congress websites looking for anything and have been unsuccesful.

About half way through video the Congressman (who you can tell didn't even bother pre-reading the bill he was introducing) says "Oh Jesus"


Secret Session of Congress only 5X in 182years.
http://www.youtube.com/watch?v=NgnbFCbnB24&NR=1

Mumia Abu-Jamal — What Globalization Really Means!

During the hard-fought Haitian Revolution, which occurred roughly a decade after the US Revolution, the government of George Washington, which talked about ‘liberty to all men’, entered the conflict, but not on the side of liberty. The Washington Administration authorized the grant of $400000 — a vast sum in the 1800s — not to support the forces of freedom, but to the white planters. They sent money to the French for arms and food to support their resistance to the uprising. America’s secretary of state, Thomas Jefferson, writer of the Constitution, did the actual paperwork. When it came to slavery or freedom, the Americans, slaveowners themselves, chose slavery to support.

Mumia Social Forum 2010 .....

http://www.prisonradio.org/audio/mumia/2010MAJ/06June10/SocialForumAddress2010.mp3

My Misson Statement.......

"To Be an Emcee , Is What I Choose"!!! Rob Base

Homeboy Sandman “The Good Sun” – Album Review

All too often when an up-and-coming rapper gets a certain amount of buzz, his momentum becomes a period instead of a comma. Their snowballing careers either melt in a sea of mixtapes without a proper release, or their output becomes a homogenized unthreatening let down where, in an effort to reach more fans, removes everything that made them great. With Queens-born Homeboy Sandman being one of the most unique voices in recent memory, the question of whether or not his eclectic electric eccentricities will continue on his new album The Good Sun is a valid one. Fortunately for us, Sandman is making music for an audience of one – himself, and we’re all the lucky crowd who overhears it.

Homeboy Sandman’s place in today’s New York Hip-Hop scene is that of a meteor that studied the Earth for several rotations, gaining momentum before the moment of impact in early 2007, effectively rendering the stagnant boom-bap dinosaurs as fossils who would either have to evolve or face extinction. He’s become such an accessible and beloved figure not because he’s studied his favorite records, but because he loves them enough to leave them in the past. He isn’t someone who has just heard a lot of rap music, he’s someone who really listened. He understands what makes his favorite records great and why they’re great, and then turns around to apply what he’s learned to his own music. Following two hugely successful underground albums in Nourishment and Actual Factual Pterodactyl, Sandman became the face of a new generation, landing in The Source’s Unsigned Hype and countless other magazines, blogs and media outlets. Instead of this success going to his head and altering his sound toward more commercial affairs, Sandman has instead faced something of an existential crisis and lucky for us he’s put it all on record. I’ve always believed, especially in Hip-Hop, that a changing man is infinitely more interesting than a changed man, and The Good Sun is 50 minutes of socio-studio therapy tackling everything from the food he puts into his body to why people look at him funny. Imagine Resurrection-era Common Sense recording The Marshall Mathers LP and you have an idea of how engaging this record is.

As engaging as the “message” or “content” of The Good Sun is, what puts it over the top as one of the best albums of 2010 is Sandman’s incredible performance. His manta for years has been “flow so dope, don’t need lyrics with lyrics so dope, don’t need flow” and he has both down to absolute perfection. Something of an East Coast one-man Freestyle Fellowship, Sandman is the type of listener who has become an absolute virtuoso of his craft who is still constantly challenging himself, always innovating and making himself better in the process. Sandman has described his writing style in the past as listening to a beat, hearing what Jazz melodies (which he grew up on) would sound best over them, constructing a flow of vocal inflections and then writing rhymes to best match that flow. He approaches every track with his ear first and lets his mouth follow. While he makes it a point to describe himself as “not pop,” the melodies and hooks on The Good Sun are among the catchiest in modern rap music, underground or mainstream





The album closes with “Angels with Dirty Faces” (produced by Grind Time Beat-Battle champ J57 of the Brown Bag All Stars) a touching exploration of the plight of the homeless in modern society that pulls no punches (“Imagine you was dying, nobody helped you / if ain’t nobody listen you might talk to yourself too / turning up you nose holding your nose going ‘phew’ / church, all in the front row, filling the whole pew”) and stands a great example of the Homeboy Sandman aesthetic. While he raises a heavy hand at times, it’s just to face palm the forgotten absurdities of the world around him. The Good Sun is the result of a genuine Hip-Hop fan understanding what makes a rap album great and then putting his own spin on it. With his great ear for production choosing further gems from the likes of Ski Beatz, Psycho Les and Ben Grymm, as well as making the best possible use of guest appearances from Fresh Daily, John Robinson and Daniel Joseph, it’s the type of album that’s the surprise gift rap fans didn’t know they wanted. It’s proof that Homeboy Sandman is The Good Sun that will not be eclipsed.



We give The Good Sun a Four Out of Five.


So until next time…Let’s Agree to Agree!
http://popularopinions.wordpress.com/2010/05/28/goodsun/

The Death Of Swagger !!!

Thank You Corporate America, I think you just Officially Helped Emcees Destroy "Swag" ...with this one greedy, money hungry move (as you have perfected over the years). This "Rin & Tin" commercial straight outta The Movie Brown Sugar is The Ceiling for Rappers Creativity!!! If your album sounds like this commercial ...in the Words of Craig Mack "You Won't Be Around Next Year!!!"

Friction= The Resistance2010

E:60 Liberian Amputee Soccer Tease feat. Nas

E:60 Liberian Amputee Soccer Tease feat. Nas from E60 on Vimeo.